{"id":4035,"date":"2005-10-17T14:09:00","date_gmt":"2005-10-17T14:09:00","guid":{"rendered":"https:\/\/elizaphanian.com\/?p=4035"},"modified":"2005-10-17T14:09:00","modified_gmt":"2005-10-17T14:09:00","slug":"mulholland-falls","status":"publish","type":"post","link":"https:\/\/elizaphanian.com\/?p=4035","title":{"rendered":"Mulholland Falls"},"content":{"rendered":"<p>Trying to keep to my promise of putting reviews in.<\/p>\n<p>Watched &#8216;Mulholland Falls&#8217;. Great cast. Good cinematography. Mediocre film.<\/p>\n<p>Late addition: in the middle of the night it struck me that there was a structural parallel embedded in the film. (Spoiler coming&#8230;.) The film begins with Nick Nolte throwing a crook down a cliff face &#8211; &#8216;righteous&#8217; violence, good guys throwing bad guys for a Mulholland Fall. Yet the main pursuit of the film is the pursuit of &#8216;bad guys&#8217; who threw a woman out of a plane, for threatening national security,  I thought there might be some point to this &#8211; ie that the Nolte character might recognise the sickness of righteous violence within himself, and see the bad guys as reflections of himself, and that he might thereby grow, become a better person, blah blah blah.<\/p>\n<p>But then I remembered that it ends with Nolte again throwing bad guys for a fall &#8211; this time throwing the killers out of the same plane. So whilst there was a structural parallel, it wasn&#8217;t serving any point.<\/p>\n","protected":false},"excerpt":{"rendered":"<p>Trying to keep to my promise of putting reviews in. Watched &#8216;Mulholland Falls&#8217;. Great cast. Good cinematography. Mediocre film. Late addition: in the middle of the night it struck me that there was a structural parallel embedded in the film. &hellip; <a href=\"https:\/\/elizaphanian.com\/?p=4035\">Continue reading <span class=\"meta-nav\">&rarr;<\/span><\/a><\/p>\n","protected":false},"author":1,"featured_media":0,"comment_status":"open","ping_status":"open","sticky":false,"template":"","format":"standard","meta":{"jetpack_post_was_ever_published":false,"_jetpack_newsletter_access":"","_jetpack_dont_email_post_to_subs":false,"_jetpack_newsletter_tier_id":0,"_jetpack_memberships_contains_paywalled_content":false,"_jetpack_memberships_contains_paid_content":false,"footnotes":"","jetpack_publicize_message":"","jetpack_publicize_feature_enabled":true,"jetpack_social_post_already_shared":true,"jetpack_social_options":{"image_generator_settings":{"template":"highway","default_image_id":0,"font":"","enabled":false},"version":2}},"categories":[32],"tags":[],"class_list":["post-4035","post","type-post","status-publish","format-standard","hentry","category-film-review"],"jetpack_publicize_connections":[],"jetpack_featured_media_url":"","jetpack_sharing_enabled":true,"jetpack_shortlink":"https:\/\/wp.me\/p3npsc-135","jetpack_likes_enabled":true,"_links":{"self":[{"href":"https:\/\/elizaphanian.com\/index.php?rest_route=\/wp\/v2\/posts\/4035","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/elizaphanian.com\/index.php?rest_route=\/wp\/v2\/posts"}],"about":[{"href":"https:\/\/elizaphanian.com\/index.php?rest_route=\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"https:\/\/elizaphanian.com\/index.php?rest_route=\/wp\/v2\/users\/1"}],"replies":[{"embeddable":true,"href":"https:\/\/elizaphanian.com\/index.php?rest_route=%2Fwp%2Fv2%2Fcomments&post=4035"}],"version-history":[{"count":0,"href":"https:\/\/elizaphanian.com\/index.php?rest_route=\/wp\/v2\/posts\/4035\/revisions"}],"wp:attachment":[{"href":"https:\/\/elizaphanian.com\/index.php?rest_route=%2Fwp%2Fv2%2Fmedia&parent=4035"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"https:\/\/elizaphanian.com\/index.php?rest_route=%2Fwp%2Fv2%2Fcategories&post=4035"},{"taxonomy":"post_tag","embeddable":true,"href":"https:\/\/elizaphanian.com\/index.php?rest_route=%2Fwp%2Fv2%2Ftags&post=4035"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}